The thoughts, reviews and analysis of Comedy, Romance, Drama and Slice of Life Anime of a College Student
Back in 2015, I analyzed production issues in regards to Anime. It seems that every year, production issue are becoming more apparent. It’s saddening that a lack of production values can hold a show back regardless of how good or interesting the story and characters are. To me, no adaptation deserves the poor treatment that this show received. This adaptation is Märchen Mädchen.
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Artist: ハジメカナメ
Back in 2015, I covered and analyzed the poor wages and working conditions animators face. It’s a known fact that animators are paid very little, they work long hours, and receive little free time. Since then, I wonder how things progressed since then. Have they improved?
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In recent years, there is a big shift towards legal streaming. As mentioned in an earlier editorial, streaming sites like Crunchyroll makes anime more accessible. While there are drawbacks such as region restrictions and lack of offline viewing, it keeps most people from pirating anime. Legal streaming overall allows anime to become more mainstream than it did in the past. Of course, this spawned more competition such as Funimation, Daisuki and others.
However, in 2017, the state of streaming deteriorated. It’s obvious that Amazon and Netflix now wants the piece of the streaming pie. Earlier this year Amazon launched Anime Strike. Meanwhile, Netflix becomes a serious contender by taking more high-profile titles such as Little Witch Academia and Fate/Apocrypha. While competition is good as it prevents companies from being too lazy, it has a lot of drawbacks. As seen with the huge backlash towards Anime Strike, it can have negative impacts to the fandom as a whole. Moreover, it can derail the trend towards legal streaming and drive people back to piracy.
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Just a few days ago, something blew up in the fandom. Apparently, Avex Pictures have banned exports of Blu-rays, DVDs and CDs to countries outside of Japan. While this does not affect the music division, it does bring negative implications for people who imports Anime Blu-rays, DVDs and CDs. I will share my thoughts about the Avex export ban along with background information behind it.
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Artist: 世音
In the past, I have touched upon thoughts about piracy and how they are taking a wrong approach. Although legal alternatives have made some strides, it has shortcomings besides other issues like region locking and that the subs have quality issues in the viewer’s eyes.
With that in mind, while fans tend to look down other fans because of their tastes of Anime, there is another issue that is also apparent, people chastising people because they prefer to download anime opposed to streaming it legally or buying Blu-rays. While I will share why this practice is counterproductive, there are various reasons why people choose to continue to download instead of watching it on a legal streaming site.
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Artist: 冬ゆき
A few years back, I have shared my thoughts about collecting anime Merchandise. While I stopped buying anime DVDs several years back since I wanted to focus more on importing Japanese games and anime CDs from Japan, I decided to buy Idolmaster Cinderella Girls in Blu-Ray, which makes me wonder about Japanese anime releases and how they differ from licensed releases.
While I covered it somewhat in previous editorials, I never gone into much detail considering that I did not own a single Japanese release. Now I do, so it is time to talk about some differences and why they are expensive.
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Artist: 維夜
Since its airing, Shirobako gave a good glimpse of the Anime Industry on how it works and the issues surrounding it with some that are interesting to discuss about. Now, I am going to take a look at the last aspect, should you chase your passion or pursue a career that pays well?
Sure, the other four girls (Aoi, Ema, Misa and Midori) had an easier time getting their foot in their door, but there is one girl who had an extremely difficult time and her name is Sakaki Shizuka. The difficulties she faced comes at no surprise considering that the voice acting industry is very competitive and there are only so many roles to go around at a given time. Was it worth it at the end to pursue such a career? Could she have done things differently?
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Artist: レトリロ
After PA Works finish producing a failure known as Glasslip, they have to come up with something that no studio has done before to make up for it. With that, they decided to make a show about anime production called Shirobako （白箱, lit white box), which focus on five girls trying to make it in an industry that is hard to get into.
After making it back to the party, Aoi finally shares her thoughts on working on the production.
At last, Musani is almost at the finish line. Can they get the finished product to all the TV stations on time?
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Just little over five years ago, I have done some research on how the Anime industry works and of course, I have only covered the surface. Shirobako, which started airing back in October of last year. Not only it reveals how anime is produced, but also blew open some of the internal issues in the industry, especially in regards to the animation studios.
With that, I will be focusing on animator’s wages, working conditions and its implications on the industry as a whole. Also, what steps should the industry take to deal with these issues?
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