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The thoughts, reviews and analysis of Comedy, Romance, Drama and Slice of Life Anime of a College Student

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Dealing with Possible Blogging Burnout – How to Deal With It

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Artist: 睡不著的紅茶

Since the time I shared my concerns about the state of the blog, I fell anxious about where my blog is headed. Sure, I have tried making some improvements. However, I still feel the bottom is coming underneath me as the pandemic delayed a lot of titles. I fear that this could be the end of my blog. It’s not too surprising since there would be less content to cover, thus fewer comments and likes. The thing that really upset me today is the lack of comments in my recent posts. This is despite the hours put into writing these reviews and even an editorial nobody bothered to leave a like and/or a comment. I became upset that I complained on twitter in several tweets today. I felt that I can’t let this go on any further.

Believe it or not, at some point, some anime bloggers probably faced these issues. When he or she look at other blogs, they have no problem receiving comments and likes. It does make one feel that the effort one put into creating content is going to waste. Of course, this is not the only problem that can cause a blogger to become frustrated and/or even quit for good. Instead of continuing to vent on Twitter and going nowhere as I did this morning, I want to share my thoughts in a rational manner.
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Impact of Covid-19 on Japanese Animation Studios and the Need to Embrace Digital and Telework

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Artist:stick jitb

Believe it or not, I have covered the impacts of the Anime Industry due to Covid-19. However, we still didn’t know the full impact back then, until now. This just didn’t happen overnight. Animation studios faced problems such as poor working conditions, a packed production schedule and noticeable delays in 2019.

As expected, the coronavirus situation made the whole thing worse. Sure, a handful of titles suffered minor delays. Eventually, the coronavirus situation worsened with more than forty titles facing delays.  As a result, studios had no choice but to delay productions. Eventually Japan declared a state of emergency on April 16, weeks after delaying the Olympics. This does not come at a surprise since the workplace at these studios clamped. As a result, this makes social distancing efforts nearly impossible. With that, I want to focus on some thoughts on the whole situation.
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State of the Blog – Part III – More Frustrations, Possible Burnout, and Anxieties, But Still Hopeful

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Artist: yf33

Since I last shared my frustrations, I felt that things were getting a bit better. Sadly, while things got better in terms of comments and such, it didn’t last. Things took a turn for the worst since the start of this year.

With Coronavirus outbreaks in Japan delaying some anime productions with more on the day, this does give me a lot of anxieties of the future of this blog. Not only that, the lack of comments on my recent posts, including my editorials from last month, which are hurting my motivation to blog. In addition, the lack of followers are becoming a sticking point too. What troubles me are the few who I follow are unfollowing me, which is a huge betrayal. I don’t know exactly what I am doing wrong since I do not post anything controversial.

Instead of keeping my frustrations in, I want to share them. Also I want to receive feedback from the readers on what areas to improve the engagement on this blog before I completely burn myself out. Hear me out.
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The SARS-CoV-2 Outbreak – The Impacts on the Anime Industry and Everyone’s Lives

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While Eripiyo doesn’t have Coronavirus, but the flu, this scene is relatable to this situation.

As expected, it seems that the Novel Coronavirus has started to affect everyone’s lives. For an anime fan, it definitely had an impact. Not only anime productions are getting delayed, but also events and even anime conventions. Even the Tokyo Olympics that is happening later this year is in jeopardy and will most likely see a delay.

Not only that, various anime productions faced delays as a result. Some are very noticeable with Koisuru Asteroid, Toaru Kagaku no Railgun T, A3, and others. It doesn’t end there. Some spring anime, most notably Re Zero Second Season along with a bunch of films pushed back until the summer. Moreover, Amazon is prioritizing shipping of certain goods to deal with the virus. This causes things like anime DVD/Blu-rays, merchandise, video games, etc to face shipping delays. With that, we are living with a new reality and life as we know it is changed forever.

You might be wondering, what is the Novel Coronavirus (aka Severe acute respiratory syndrome coronavirus 2/SARS-CoV-2/nCov-19/Covid-19) and what affect it is happening on the anime industry. Most of you should have heard about this virus on the news and social media. As expected, it’s having a huge effect on people’s everyday lives. I will share some of my thoughts on how this situation is affecting me personally.
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Pitfalls of Anime Streaming, Competition and Subscription Fatigue – Is It Becoming Too Fragmented?

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Artist: stick_jitb</a?

It’s obvious that the Novel Coronavirus has caused a lot of public events to become cancelled along with schools. Aside from people who have a job, but can’t telework, most will be at home. In other words, some or most of you would binge watch on anime while being stuck at home.

This of course brings the topic of anime streaming. In recent years, anime has become more accessible legally through legal streaming services like Crunchyroll, Funimation, and others. Not only that, you don’t have to spend $50-250 to buy the whole series on DVD or Blu-ray to watch it. Of course, we started to see Crunchyroll losing the lion share of the anime streaming as competition heated up.

If you recall, Amazon tried to jump in the fray with Anime Strike and Netflix doing its own thing. While competition is good as it doesn’t cause a service to become complacent. During that time, Crunchyroll became a bit lazy by not updating their video player and with poor video quality.

Once competition took hold, they eventually added an HTML5 player. It’s not without consequence. They lost a good amount of their catalog once Funnimation pulled out of the deal.

As expected, exclusive simulcasting is becoming an issue as people have to subscribe to the multiple services to watch the content they enjoy. Otherwise, he or she will miss out unless they subscribe. As they say, each subscription adds up in the end. This phenomenon is called subscription fatigue. While some bloggers have covered this concern, it’s time to go more in depth in it.
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The Reasons Why You Should (Probably) Not Pirate Anime

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Artist: キュードリ

Since 2017, I started the shift towards streaming mostly because it’s convenient and it’s probably the cheapest way to support the industry. From the monthly subscription fees, royalties are paid from the shows you watch, which eventually goes back to the studios and the industry.

Given the problem that studios are facing with low pay and poor working conditions, if more switched to legal alternatives, it would help the industry. After all, revenue generated overseas will become more important given the change in demographics in Japan.

While streaming is not the ideal solution mostly because of region restrictions, it’s not a problem if you live in North America. Of course, exclusivity of titles and fragmentation is another issue. Certain titles will only be available on Crunchyroll, HIDIVE, Amazon, Netflix or Funimation. In other words, this will require subscribing to multiple services.

If you take these drawbacks from the picture, it’s a better way to watch anime as it’s convenient. One doesn’t have to mess around with Bittorrent, worry about what video players to use, and having enough disk space. You just watch whatever you want.

However, people who live in regions where legal options are readily available and can afford it still choose to pirate. People have to realize that not only this is selfish and immoral given the poor state of the animation industry, you are also putting your information security at risk. Not to mention, piracy or rather the correct term, copyright infringement is illegal. I will explain why you should probably stop pirating anime and consider legal options if available.

(Note: Pardon the lack of images, they are coming in a few days)
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Top 5 Anime of 2019 and Top 10 Anime of the 2010s

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Artist: 倉本 たかと

Since 2019 is finally coming to an end, it’s time to take a look at the top five shows for this year since I only completed 14 titles this year. We will also take a look briefly at the top ten shows of the decade. As always, this list is subjective.
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12 Days of Anime for 2019 and Merry Christmas

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Artist: ぼや野

As always, I do the twelve days of anime post. For this year, we are back with the usual sharing the anime along with any other moments related to Japanese video games and such. As always, nothing is in particular order.
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Transfer Limitations in Pocket Monsters Sword and Shield, Is Game Freak Betraying their Fans?

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Artist: ゆーき

Back in February 2019, Game Freak finally announced their next generation games, Pocket Monsters Sword and Shield for the Nintendo Switch. This game will finally have a third person view in an open world compared to the previous games. However, after showing off new features at E3, a lot of people became upset. News broke that you won’t be able to transfer all your Pokémon from the Pokémon Home service to the new games. This is because of Game Freak’s change in direction.

To me, this decision is a big betrayal to the loyal Pokémon fan base. Of course, many people are angry about this decision and for good reasons. He or she won’t be able to use all of their favorite Pokémon in the new games. With that, I want to share my thoughts on why Game Freak is out of touch with the fan base.
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Vita Retrospective – Why It’s Better than the Nintendo 3DS for Anime and Japanese RPGS, but Still Unsuccessful

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Artist: 蜜桃まむ

Since I finally obtained a PlayStation Vita in 2012, it was my console of choice. It had a great library of Japanese role-playing games and anime themed games released throughout the Heisei Era. While the console did poorly in the west, it sold well in Japan. This is not too surprising since Japan vastly prefer portable consoles opposed to home consoles.
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