Anime blog that focuses on Yuri and School Girl Slice of Life Anime and Editorials
It seems that the releases won’t come fast enough, so I finally decide to watch the OVA from the second season of K-ON. Although nobody knows what the movie will be about, this OVA gives us a hint… they are going to travel abroad!
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Though the success of the 765 Production’s live concert, the girls have finally become more popular. Now, they are taking on more jobs on their road to fame. What they don’t know is that 961 Productions is out to sabotage their success.
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The big day has finally arrived and everyone’s excited for the performance. Unfortunately, tension increases as a typhoon makes landfall, leaving Ritsuko and her unit stranded with the strong possibility of not making it on time.
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Through some miscommunication, it caused Miki to get her hopes up a bit too much. Ultimately, Ritsuko’s rejection crushed her dreams and this causes her to change her mind and quit until the Producer convinces her to come back.
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At last, the Producer gets a performance at a concert for the girls. They become excited and start to practice their new routine amidst some setbacks.
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The challenge is on for 765 Productions (led by Ryuuguu Komachi) as they complete an idol-sporting event against other agencies. Unfortunately, there is one group of girls who aims to dampen their spirit to win.
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Sorry about that long delay… Since the subs got delayed for the past two weeks due to some extraordinary circumstances, I had to put this show off and watch some of my backlog. Gratefully, episodes 8 and 9 were finally released today, so I’m confident that I will get caught up by Monday.
As for this episode, Azusa getting lost and a group of bodyguards chasing after her was a fun experience. All of this happened with her wearing a nice-looking wedding dress.
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Well, sort of… It’s not like she had a choice or anything.
It felt like a long time since Tantei Opera Milky Holmes ended back in December of last year. This show was particularly fun not because the girls were adorable, but for the outright hilarious comedy that didn’t involve the overused tsundere archetypes. With a second season coming next winter, I can only wonder about the shenanigans Milky Holmes and the Genius 4 will be up to.
For now, we have the summer special [1. The special took place between episodes 7 and 8.], which centers on Kokoro’s journey of becoming an idol shortly after the G4’s demotion for failing to capture Aresenè among other things.
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Compared to the other girls, Yayoi is not so fortunate since she isn’t well off and her parents have to work most of the time in order to support all six children. Out of curiosity, Iori and Hibiki tags along to experience how Yayoi shop for food and meet her siblings.
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765 Production’s future now looks brighter as Ritsuko’s new idol unit Ryuuguu Komachi got approved with Azusa, Ami and Iori being a part of it. While they work on their gig for their debut on television, the Producer becomes increasingly anxious that it leads us to many unforeseen mistakes.
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During the Fall 2010 Anime Season, I have taken a brief look of some the opening and ending songs I heard from the shows I were watching. Since I only covered a few shows last winter like Madoka Magica, Hourou Musuko and Fractale (Gosick is left out since the ending theme single came out in the spring), I decided not to focus on it. However, I have published a full review on Madoka Magica’s opening song, “Connect” at Anime Instrumentality and you should check it out!
For the Spring 2011 Season, there was a good number of opening and ending songs I liked. Out of the songs that released and listened to during spring, I liked “secret base ~kimi ga kureta mono~” (Ai Kayano, Haruka Tomatsu, Saori Hayami), “Scarlet Knight” (Nana Mizuki), “Hazy” (sphere), “Scarlet Ballet” (May’n), and “Spread Wings” (Aki Misato). For each song, I will share my thoughts about them briefly. (Image Source)
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Two weeks later, I have finally returned from my rather long vacation after traveling over 3000 miles in the car! While the activity on my blog took a slight nosedive, I have enjoyed my time and now feel refreshed.
Coincidently, I watched the beach episode today with the girls and Producer going on a one-day vacation to relax from the blistering heat amongst the lack of air conditioning. As you expected, it’s time for fanservice!
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In effort to make the girls of 765 Productions more noticeable, they appear on a wacky Iron Chief-like show with a crazy frog host. While it seemed fun for Haruka, Hibiki, and Takane, Chihaya wasn’t pleased with the lack of singing at the event.
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We are getting close to the middle of summer and I find myself wanting to watch another show. So I decided to take another look at THE iDOLM@STER, a show that has nothing to do with robots, but a more faithful adaptation of a popular idol raising simulation game. (Image Source)
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For a long time, I have an interest in music ever since I played Piano and Clarinet when I was in high school. When I started to watch Anime again back in 2008, I have already established an interest towards Japanese music with Pokémon that simply grew beyond what I have listened to.
Several months after I posted my favorite artists last year, I guest reviewed several Anime related singles on Anime Instrumentality Blog. In addition, I have listened to other singers’ songs, which kind of redefined my perceptions of Anime Music a bit more. So, further ado, I want to share my updated favorite artists and music I have listened up to now (Image Source).
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I know most of the people wanted a formal review of the opening single “Connect” by ClariS… So, I worked hard during the last two weeks to get the review perfect. Hopefully you will enjoy my review of the single.
(Also, post your comments at Anime Instrumentality Blog.)
(Image Source)
I have told everyone that Rio: Rainbow Gate is a really bad show not because of the fanservice, but the complete randomness. If the overall premise of the show is horrible, how about the music? Besides the opening theme, I took a look at the ending theme sung by ULTRA-PRISM, whom also created the Ika Musume OP. Sadly, “Miracle Chance” did not live up to my expectations since it felt so dull that it would put me to sleep. After reviewing it, I have absolutely no motivation to listen to the opening with the assumption that it would be absolutely mediocre too.
Next time, I’m going reviewing a good single instead of reviewing bad ones… Perhaps Kalafina’s Magica or something that would be enjoyable to review.
(Also, post your comments at Anime Instrumentality Blog.)
Besides the second season of K-ON, which I will be covering in a future Anime Moments post, there was an OVA that released in the first season. Basically, the Light Music Club decides to do a live house performance, which they are very excited about. They met many girl bands they haven’t heard before and had lots of pleasurable time with them. (Image Source)
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As you might know already… I loved “MOON SIGNAL,” which is one of the best openings in the Fall 2010 Anime Season. This review only took a few hours to write since there wasn’t that much to nick picking compared to the previous singles such as MM! OP review and K-ON! 2 Yui Character Single. While “MOON SIGNAL” remains the best song out of sphere, “Now Loading… SKY!!” remains my second favorite. Also, the B-side in “Now Loading… SKY!!” is a bit better than “Climax Whistle.” So enjoy the review of “MOON SIGNAL” and be sure to share your thoughts about the single at the Anime Instrumentality Blog.
(Comments are disabled in this post… Make your comments in the actual review. Image Source)
Fall 2010 still has a myriad of good and enjoyable Fall 2010 songs so far. Unfortunately, there only a few I really wanted to review in depth. Nevertheless, I still want to share my thoughts about them. [1. Image Source]
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As the Fall 2010 heads to its midpoint, its time to take a look of some Anime Music I decided to try out. Besides the MM! opening single I reviewed at Anime Instrumentality Blog, the other singles I tried out was pretty good. This is why I would like to share my brief thoughts about them. [1. Original Image]
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When you have an Anime that has masochism written all over it, you can expect that the songs would be a masochistic experience…
From listening to the songs, Taketatsu Ayana is a really bad singer. This makes Hirano Aya’s and Toyosaki Aki’s singing sound 2x better! It’s like mixing two of the horrible pop singers (Lady Gaga and Katy Perry) and have a song that is a pile of crap.
Then again, it was not horrible enough to make the song unlistenable. It had some redeeming factors if you take out the vocals. I think this single could be considered as “So Bad Its Good.” Yes, the singing from Ayana is horrible and the electronica is out of place in the second track, but it was slightly enjoyable as receiving pleasure from masochism. I just can’t take my eyes off of it unlike Sae’s Ending from Amagami SS, which had nothing redeemable whatsoever.
So, enjoy this masochistic review of this single… and it’s just in time for Halloween! I will probably make another review on “Moon Signal” in a few weeks.
MM OP Review at Anime Instrumentality Blog (Make your comments over there, not here.)
Original Image Source
After the final performance from the four girls that left Azu-nyan in tears, we are now left with the Extra Episodes.
The extras are what you expect if you watched the last season; they are fun and enjoyable stories to look at. The first extra involves the Light Music Club producing another promotional video since the last one is shoddily done. The second involves a visit to Sawako’s apartment to get her approval on the final copy of the yearbook. In addition to visiting her, they made dinner and done the laundry while she recovers from the cold.
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Since the girls in K-ON!! finally graduated from their high school, I decided it would be fun to review the most popular girls’ character sing, Hirasawa Yui sung by Toyosaki Aki.
This review was a bit different experience compared to my previous reviews. Reviewing music singles are not easy as it looks since you have to convey what you heard into words. Even though I have a musical background, it took me some time to get it right. So, if you are interested, you can read the review by following the link below.
Read it at Anime Instrumentality > (Discussion about this single is done in this post only)
For those who are wondering, I will be contributing more reviews in the future (as in the coming months). These may include:
I will not review any more Girls Dead Monster singles/albums since they really suck and I don’t want my ears bleed more.
Note: Fanart used in this post is made by ぽにし。